Sue Perkins' return to live comedy, 'The Eternal Shame', promises a deeply personal and shame-filled journey but falls short on delivering the promised introspection. The former Bake Off star attempts to unveil the layers of her public persona, only to reveal a character who's been cleverly crafted to conceal vulnerabilities.
Perkins' set is structured in two parts: Act one appears to delve into themes of aging, middle-aged shame, and self-deprecation, but instead offers anecdotes that barely connect to these ideas. She recounts an absurd tale about local drug dealers cloning her car registration, which comes across as more prideful than shameful, while a story about rescuing a wounded pup on a trip to Bolivia is laced with pride rather than vulnerability.
It's only in the second half of the show that Perkins allows herself to be genuinely vulnerable. She recounts a harrowing experience with a benign tumour on her pituitary gland, which left her in a state of limbo akin to a posh One Flew Over the Cuckoo's Nest scenario. This poignant passage reveals the protective layers she's carefully constructed around her public persona and shines a light on a more meaningful side of Perkins' character.
The rest of the show remains entertaining but superficial, with Perkins relying on witty jokes and humorous anecdotes that barely scratch the surface of self-abasement. It's as if she's using comedy to avoid true introspection, instead opting for lighthearted tales of self-deprecation. While Perkins' comedic delivery is undoubtedly skilled, 'The Eternal Shame' feels like a missed opportunity to delve deeper into her personal struggles and vulnerabilities.
Perkins' set is structured in two parts: Act one appears to delve into themes of aging, middle-aged shame, and self-deprecation, but instead offers anecdotes that barely connect to these ideas. She recounts an absurd tale about local drug dealers cloning her car registration, which comes across as more prideful than shameful, while a story about rescuing a wounded pup on a trip to Bolivia is laced with pride rather than vulnerability.
It's only in the second half of the show that Perkins allows herself to be genuinely vulnerable. She recounts a harrowing experience with a benign tumour on her pituitary gland, which left her in a state of limbo akin to a posh One Flew Over the Cuckoo's Nest scenario. This poignant passage reveals the protective layers she's carefully constructed around her public persona and shines a light on a more meaningful side of Perkins' character.
The rest of the show remains entertaining but superficial, with Perkins relying on witty jokes and humorous anecdotes that barely scratch the surface of self-abasement. It's as if she's using comedy to avoid true introspection, instead opting for lighthearted tales of self-deprecation. While Perkins' comedic delivery is undoubtedly skilled, 'The Eternal Shame' feels like a missed opportunity to delve deeper into her personal struggles and vulnerabilities.