Anthony Hopkins' memoir, 'We Did OK, Kid', is a candid and introspective look at the life of one of cinema's greatest legends. Through his own unique voice and tone, Hopkins recounts how he transitioned from an unknown actor to a megastar, driven by a combination of talent, hard work, and a healthy dose of determination.
Born into a working-class family in Port Talbot, Wales, Hopkins was a vulnerable and bewildered child who struggled to find his place in the world. His father, Richard Arthur Hopkins, was a lovable but cantankerous man who instilled in Anthony a strong sense of pride and self-reliance. Despite his parents' humble beginnings, Hopkins' talent for acting became apparent at an early age, particularly when he stunned his teacher with a recitation of John Masefield's poem The West Wind.
Hopkins' journey to success was far from smooth, however. He left school as a "no-hoper" and went on to attend the Royal Academy of Dramatic Art (RADA), where he honed his craft and eventually landed his breakthrough role in Laurence Olivier's production of Hamlet at the Old Vic. This marked the beginning of a long and storied career that saw him take on some of the most iconic roles in cinema history, including Dr. Hannibal Lecter.
One of the most striking aspects of Hopkins' memoir is its candid portrayal of his personal struggles and demons. He recounts a tumultuous early life, marked by parental disputes and a father who struggled with his own emotions. His own experiences with addiction are also laid bare, revealing a man who was driven to self-destruction before finding redemption.
Despite these challenges, Hopkins emerged as one of the most respected actors of his generation, known for his commanding presence and unflappable professionalism. He shares stories of his time on set with Laurence Olivier and Oliver Stone, as well as his infamous feud with Paul Sorvino over their respective performances in Nixon.
Throughout the book, Hopkins' voice is both introspective and humorous, revealing a man who has learned to laugh at himself and find the humor in even the most trying situations. His love of poetry is also evident, with an appendix filled with his favorite verses from some of literature's greatest authors.
Ultimately, 'We Did OK, Kid' is a testament to Hopkins' enduring talent and spirit. This memoir is not just a reflection on one man's life but also a celebration of the power of art to transform and transcend our lives.
Born into a working-class family in Port Talbot, Wales, Hopkins was a vulnerable and bewildered child who struggled to find his place in the world. His father, Richard Arthur Hopkins, was a lovable but cantankerous man who instilled in Anthony a strong sense of pride and self-reliance. Despite his parents' humble beginnings, Hopkins' talent for acting became apparent at an early age, particularly when he stunned his teacher with a recitation of John Masefield's poem The West Wind.
Hopkins' journey to success was far from smooth, however. He left school as a "no-hoper" and went on to attend the Royal Academy of Dramatic Art (RADA), where he honed his craft and eventually landed his breakthrough role in Laurence Olivier's production of Hamlet at the Old Vic. This marked the beginning of a long and storied career that saw him take on some of the most iconic roles in cinema history, including Dr. Hannibal Lecter.
One of the most striking aspects of Hopkins' memoir is its candid portrayal of his personal struggles and demons. He recounts a tumultuous early life, marked by parental disputes and a father who struggled with his own emotions. His own experiences with addiction are also laid bare, revealing a man who was driven to self-destruction before finding redemption.
Despite these challenges, Hopkins emerged as one of the most respected actors of his generation, known for his commanding presence and unflappable professionalism. He shares stories of his time on set with Laurence Olivier and Oliver Stone, as well as his infamous feud with Paul Sorvino over their respective performances in Nixon.
Throughout the book, Hopkins' voice is both introspective and humorous, revealing a man who has learned to laugh at himself and find the humor in even the most trying situations. His love of poetry is also evident, with an appendix filled with his favorite verses from some of literature's greatest authors.
Ultimately, 'We Did OK, Kid' is a testament to Hopkins' enduring talent and spirit. This memoir is not just a reflection on one man's life but also a celebration of the power of art to transform and transcend our lives.