The latest installment in Warner Bros.'s lucrative "Wicked" franchise, "Wicked: For Good," has underwhelmed audiences with its poorly paced and muddled storytelling. Despite being split into two parts to extend the release period and maximize profits, the sequel fails to capture the same magic as its predecessor, instead succumbing to the pitfalls of franchise filmmaking greed.
The decision to separate the final film in the "Harry Potter" series into two movies, released eight months apart, was seen as a way to expand the screen adaptation and bring more time with beloved characters. Similarly, the split for "Wicked: For Good" may have been intended to give the story more depth and surprise journeys, but it has ultimately led to a film that is rotten with the stench of voracious greed.
The two-part release allows less detail from the 784-page novel to be spared, resulting in an overly bloated product. The film's pacing is glacially slow, making it a horrible lit slog that lacks the dynamism of its predecessor. New songs like "No Place Like Home" and "The Girl in the Bubble" fail to impress, with lyrics that confuse more than they entertain.
The decision to split the franchise into two parts means that millions of dollars will be sacrificed in favor of making a commercially viable product rather than creating a genuinely good one that could dominate the box office for a single holiday season. The momentum of "Wicked" has crashed down with "Wicked: For Good," leaving audiences feeling empty and unfulfilled.
The film's production is emblematic of the pitfalls of franchise filmmaking, where profit margins are prioritized over artistic integrity. Despite the respectable performances from Cynthia Erivo and Ariana Grande, the two leads are constantly undone by the messy film swirling around them. The "Wizard of Oz" tie-ins at every turn only serve to further dilute the story's potential.
Ultimately, "Wicked: For Good" exists in a state of desperation, with the studio more interested in maximizing profits than creating a genuinely good product. As such, it serves as a cautionary tale about the dangers of franchise filmmaking greed and the importance of prioritizing artistic integrity over commercial success.
The decision to separate the final film in the "Harry Potter" series into two movies, released eight months apart, was seen as a way to expand the screen adaptation and bring more time with beloved characters. Similarly, the split for "Wicked: For Good" may have been intended to give the story more depth and surprise journeys, but it has ultimately led to a film that is rotten with the stench of voracious greed.
The two-part release allows less detail from the 784-page novel to be spared, resulting in an overly bloated product. The film's pacing is glacially slow, making it a horrible lit slog that lacks the dynamism of its predecessor. New songs like "No Place Like Home" and "The Girl in the Bubble" fail to impress, with lyrics that confuse more than they entertain.
The decision to split the franchise into two parts means that millions of dollars will be sacrificed in favor of making a commercially viable product rather than creating a genuinely good one that could dominate the box office for a single holiday season. The momentum of "Wicked" has crashed down with "Wicked: For Good," leaving audiences feeling empty and unfulfilled.
The film's production is emblematic of the pitfalls of franchise filmmaking, where profit margins are prioritized over artistic integrity. Despite the respectable performances from Cynthia Erivo and Ariana Grande, the two leads are constantly undone by the messy film swirling around them. The "Wizard of Oz" tie-ins at every turn only serve to further dilute the story's potential.
Ultimately, "Wicked: For Good" exists in a state of desperation, with the studio more interested in maximizing profits than creating a genuinely good product. As such, it serves as a cautionary tale about the dangers of franchise filmmaking greed and the importance of prioritizing artistic integrity over commercial success.