Wolf Alice have always been masters of reinvention, shedding their folk roots and evolving into a genre-bending behemoth, but their latest arena tour has solidified their position as the full-throttle cabaret theatre they've always promised. Their stylish 70s-inspired glam-rock is on full display, with Ellie Rowsell channeling her inner PJ Harvey, writhing on stage in a tight black leotard adorned with strategically-placed red hearts.
The band's current incarnation is arguably their most complete yet, boasting an impressive range of sounds and styles that showcase each member's individuality. The setlist expertly weaves together grunge snarls, 90s alt-fuzz, and even a dash of prog-rock, all of which are seamlessly integrated into the overall theatrical experience.
Drummer Joel Amey shines as ever, bringing his signature energy to songs like White Horses and Bloom Baby Bloom. The band's use of piano adds a touch of drama and stage presence, particularly in the opening ballad Thorns, where the tinsel tassels on the guitars add a festive flair. Rowsell's harmonies are always a highlight, but it's her vocal performance that truly sets the band apart.
Despite the many genre jumps throughout their discography, what remains consistent is Rowsell's incredible vocal strength and control. She navigates the setlist with ease, effortlessly switching between tender ballads and high-energy anthems. The audience hangs on her every word, mesmerized by her raw emotion and charisma.
It's a shame that Wolf Alice hasn't yet achieved mainstream success, but their recent signing to a major label may just be the catalyst for change. With this latest tour, they're cementing their position as one of the most exciting and innovative bands of their generation.
The band's current incarnation is arguably their most complete yet, boasting an impressive range of sounds and styles that showcase each member's individuality. The setlist expertly weaves together grunge snarls, 90s alt-fuzz, and even a dash of prog-rock, all of which are seamlessly integrated into the overall theatrical experience.
Drummer Joel Amey shines as ever, bringing his signature energy to songs like White Horses and Bloom Baby Bloom. The band's use of piano adds a touch of drama and stage presence, particularly in the opening ballad Thorns, where the tinsel tassels on the guitars add a festive flair. Rowsell's harmonies are always a highlight, but it's her vocal performance that truly sets the band apart.
Despite the many genre jumps throughout their discography, what remains consistent is Rowsell's incredible vocal strength and control. She navigates the setlist with ease, effortlessly switching between tender ballads and high-energy anthems. The audience hangs on her every word, mesmerized by her raw emotion and charisma.
It's a shame that Wolf Alice hasn't yet achieved mainstream success, but their recent signing to a major label may just be the catalyst for change. With this latest tour, they're cementing their position as one of the most exciting and innovative bands of their generation.