Yorgos Lanthimos Returns to Form with Paranoid Masterpiece "Bugonia"
In a post-truth era where facts are increasingly subjective, Yorgos Lanthimos's latest film, "Bugonia," is a masterclass in paranoia and absurdity. The Greek auteur has long been known for his dark humor and unconventional storytelling, but this new film marks a return to form for the writer-director.
Set in modern times, "Bugonia" follows Teddy Gatz (Jesse Plemons), a conspiracy-obsessed warehouse worker who kidnaps pharmaceutical CEO Michelle Fuller (Emma Stone). As Teddy becomes more unhinged, it's impossible to discern whether he's delusional or onto something. The film is a dizzying game of cat and mouse, with the audience constantly shifting allegiance between Teddy, Don (Aidan Delbis), and Michelle.
The script, penned by Will Tracy, is a masterclass in absurdity, but one that also feels alarmingly relevant to our current times. As we approach the anniversary of Luigi Mangione's assassination of UnitedHealthcare CEO Brian Thompson, "Bugonia" feels like a bold statement about the dangers of misinformation and the blurring of lines between reality and fantasy.
Plemons gives a career-best performance as Teddy, bringing a sense of manic energy to the role. Stone, meanwhile, is her usual calculating self as Michelle, a character who's both captivatingly cold and infuriatingly unlikable. The chemistry between the two leads is undeniable, making it impossible not to be drawn into their twisted game.
Lanthimos's direction is effortlessly elegant, with Robbie Ryan's cinematography capturing the film in stunning 35mm. The grain adds a tactile immediacy to every frame, drawing the viewer into the world of "Bugonia."
If you're not familiar with Lanthimos's work or aren't on his wavelength, "Bugonia" might come across as alienating or even off-putting. But for fans of the director and those willing to take a risk on something new, this film is a must-see.
In short, "Bugonia" is a paranoid masterpiece that will leave you questioning your place in the universe. It's not a film that will win you over with traditional sentiment or emotional resonance but rather by its sheer audacity and willingness to challenge our perceptions of reality. That, in itself, is what makes it such a remarkable achievement from Yorgos Lanthimos.
				
			In a post-truth era where facts are increasingly subjective, Yorgos Lanthimos's latest film, "Bugonia," is a masterclass in paranoia and absurdity. The Greek auteur has long been known for his dark humor and unconventional storytelling, but this new film marks a return to form for the writer-director.
Set in modern times, "Bugonia" follows Teddy Gatz (Jesse Plemons), a conspiracy-obsessed warehouse worker who kidnaps pharmaceutical CEO Michelle Fuller (Emma Stone). As Teddy becomes more unhinged, it's impossible to discern whether he's delusional or onto something. The film is a dizzying game of cat and mouse, with the audience constantly shifting allegiance between Teddy, Don (Aidan Delbis), and Michelle.
The script, penned by Will Tracy, is a masterclass in absurdity, but one that also feels alarmingly relevant to our current times. As we approach the anniversary of Luigi Mangione's assassination of UnitedHealthcare CEO Brian Thompson, "Bugonia" feels like a bold statement about the dangers of misinformation and the blurring of lines between reality and fantasy.
Plemons gives a career-best performance as Teddy, bringing a sense of manic energy to the role. Stone, meanwhile, is her usual calculating self as Michelle, a character who's both captivatingly cold and infuriatingly unlikable. The chemistry between the two leads is undeniable, making it impossible not to be drawn into their twisted game.
Lanthimos's direction is effortlessly elegant, with Robbie Ryan's cinematography capturing the film in stunning 35mm. The grain adds a tactile immediacy to every frame, drawing the viewer into the world of "Bugonia."
If you're not familiar with Lanthimos's work or aren't on his wavelength, "Bugonia" might come across as alienating or even off-putting. But for fans of the director and those willing to take a risk on something new, this film is a must-see.
In short, "Bugonia" is a paranoid masterpiece that will leave you questioning your place in the universe. It's not a film that will win you over with traditional sentiment or emotional resonance but rather by its sheer audacity and willingness to challenge our perceptions of reality. That, in itself, is what makes it such a remarkable achievement from Yorgos Lanthimos.