The latest iteration of House of Tarot, a renowned immersive art experience in Detroit, recently took place at the Boyer Campbell Building. The show, centered around healing and Brigid, the queer Celtic goddess of fire, poetry, and wisdom, offered a unique blend of sensory and emotional experiences.
Thirteen artists were invited to interpret cards from the Minor Arcana, weaving their works into an intricate tapestry that showcased the theme of "healing" in distinct ways. Each room at the exhibition was tailored to evoke a particular atmosphere, ranging from serene spaces adorned with paintings to more abstract environments that felt like rituals.
The show's connection to Imbolc Detroit, a citywide festival rooted in ritual and collective creativity, added an extra layer of depth to the experience. For those familiar with the Celtic holiday, which marks the halfway point between Winter Solstice and Spring Equinox, the exhibition was both a celebration and a reflection on the themes of growth, renewal, and healing.
While some visitors may find this iteration slightly less impactful than its predecessor, House of Tarot remains one of the most compelling immersive art experiences in Detroit. A live music performance that took place during the visit added to the atmosphere, creating a sense of intentionality and meditation.
One room stood out for its striking presence: Melissa Webb's King of Cups installation. Instead of inviting viewers into the space, the work is viewed through a large window, where three individuals are physically immersed in the fibers and fabric. This unique approach allowed visitors to become part of the piece, rather than simply observing or creating it.
The room also featured an artist statement that echoed Webb's interpretation of the King of Cups card: "This is the elder who knows how to hold storms because they have watched seasons turn without stopping them." The installation served as a testament to unconditional presence and love that does not rush growth nor demand healing on a schedule. It was a warm, slow, and unforced experience that lingered with visitors long after their departure.
Another notable piece was Jesse Kassel's Nine of Pentacles room, which initially appears disorienting. The artist intentionally left room for interpretation, allowing visitors to consider the meaning behind this installation as either an embodiment of abundance and luxury or a reflection on insecurity through material possessions. Tarot cards shift in meaning depending on whether they're upright or reversed, and Kassel's work masterfully held both interpretations at once.
Immersive exhibitions like House of Tarot continue to captivate audiences by offering a more intimate connection with the art itself. While this iteration may not have reached the same level of resonance as its predecessor, it remains an essential experience for fans of immersive art in Detroit. As the show evolves through new card interpretations and artists willing to take risks, one thing is certain: House of Tarot will continue to push boundaries and inspire those who enter its spaces.
Thirteen artists were invited to interpret cards from the Minor Arcana, weaving their works into an intricate tapestry that showcased the theme of "healing" in distinct ways. Each room at the exhibition was tailored to evoke a particular atmosphere, ranging from serene spaces adorned with paintings to more abstract environments that felt like rituals.
The show's connection to Imbolc Detroit, a citywide festival rooted in ritual and collective creativity, added an extra layer of depth to the experience. For those familiar with the Celtic holiday, which marks the halfway point between Winter Solstice and Spring Equinox, the exhibition was both a celebration and a reflection on the themes of growth, renewal, and healing.
While some visitors may find this iteration slightly less impactful than its predecessor, House of Tarot remains one of the most compelling immersive art experiences in Detroit. A live music performance that took place during the visit added to the atmosphere, creating a sense of intentionality and meditation.
One room stood out for its striking presence: Melissa Webb's King of Cups installation. Instead of inviting viewers into the space, the work is viewed through a large window, where three individuals are physically immersed in the fibers and fabric. This unique approach allowed visitors to become part of the piece, rather than simply observing or creating it.
The room also featured an artist statement that echoed Webb's interpretation of the King of Cups card: "This is the elder who knows how to hold storms because they have watched seasons turn without stopping them." The installation served as a testament to unconditional presence and love that does not rush growth nor demand healing on a schedule. It was a warm, slow, and unforced experience that lingered with visitors long after their departure.
Another notable piece was Jesse Kassel's Nine of Pentacles room, which initially appears disorienting. The artist intentionally left room for interpretation, allowing visitors to consider the meaning behind this installation as either an embodiment of abundance and luxury or a reflection on insecurity through material possessions. Tarot cards shift in meaning depending on whether they're upright or reversed, and Kassel's work masterfully held both interpretations at once.
Immersive exhibitions like House of Tarot continue to captivate audiences by offering a more intimate connection with the art itself. While this iteration may not have reached the same level of resonance as its predecessor, it remains an essential experience for fans of immersive art in Detroit. As the show evolves through new card interpretations and artists willing to take risks, one thing is certain: House of Tarot will continue to push boundaries and inspire those who enter its spaces.
i mean whats wrong with subtlety? the king of cups installation was so peaceful & introspective, it kinda felt like u were invading their private space 
which in itself is a thought-provoking experience. plus its not all about shock value or being loud & proud, sometimes u just need somethin thats gonna make u think 
but honestly tho i loved how each room was like a journey thru different feelings & vibes... melissa webb's king of cups thing? mind blown 
that u can literally be part of the art by watching thru the window 
& jesse kassel's nine of pentacles? so thought-provoking, even if it was kinda disorienting at 1st 
but overall house of tarot is def one of a kind, like a breath of fresh air in detroit 
It totally enhanced the atmosphere! And Melissa Webb's King of Cups installation was straight fire 
I mean, seeing people physically immersed in the piece was like nothing I've ever seen before. It's like you're part of the artwork or something! 
And Jesse Kassel's Nine of Pentacles room had me thinking about it for days after I left... what does it even mean when a tarot card is reversed? 
I went 
and was kinda meh 
. The way they wove the rooms together felt like a hot mess 
. But what really got me was the connection to Brigid - love how they brought her story into this modern context 
. The way it made you feel like part of the art, but not in a creepy way 
. Kassel's Nine of Pentacles room was also kinda interesting, but I'm still trying to figure out what's up with that installation 
, but I'd rather see them try something new 
.
. The King of Cups installation was straight fire 
. And Jesse Kassel's room had me questioning everything about abundance and materialism... it's mind-blowing how much depth can be packed into one space 
. It just goes to show that immersive art is all about connection - with the artists, with each other, and most importantly, with ourselves 
. And that Melissa Webb installation? Mind blown! Being able to see into the King of Cups piece while it's being created is like nothing I've ever experienced before 
. The way they're exploring themes of growth, renewal, and healing in such a unique way feels really powerful 
. Detroit is already on my bucket list, can't wait to experience more immersive art experiences there 
seriously tho, melissa webb's king of cups installation? what a game changer 
and jesse kassel's nine of pentacles room? so deep, i'm still trying to unpack the meaning behind it 
can't wait for the next installment of house of tarot! 
just had a mind blown moment thinking about how the use of tarot cards as an artistic medium can be so powerful in creating immersive experiences... it's like tapping into this ancient wisdom that's been passed down through generations 
, and how each room at the exhibition is like a new portal to explore and discover something deeper about yourself or the world around you 
.
it was like this energy just washed over me & made me think about my own healing journey 
. And can we talk about how Jesse Kassel's Nine of Pentacles installation had me questioning my own financial decisions 
like, is that abundance or am I just feeling anxious about not having enough? 
i mean some ppl might say it's not as impactful as the last one but honestly i think that's cuz it's still pretty new and ppl r still getting used to it lol also that king of cups installation tho 
it's like, you're not just walking around looking at paintings, you're fully immersing yourself in the experience 
The way it was like you were right there with them, watching seasons turn... it was like a spiritual thing (just kidding, sorta 
). Seriously though, Jesse Kassel's Nine of Pentacles room was trippy AF 
.
. I love how each room was tailored to evoke a specific atmosphere, it's like stepping into different worlds 
And Jesse Kassel's Nine of Pentacles room is like, wow, so open-ended and thought-provoking 
. The show will definitely continue to evolve and inspire, and I'm excited to see what new interpretations and artists come next 
Just saw that there's a huge surge in mental health issues among young adults after using social media for too long 
. Anxiety, depression, and loneliness are on the rise 
. People are feeling so disconnected from reality and themselves 
. The constant stream of curated and edited content is making us feel inadequate and unhappy 
.
I'm low-key obsessed with the latest House of Tarot exhibit! 
but still totally captivating. Melissa Webb's King of Cups installation was EVERYTHING 
that slow, unforced energy is everything in life