Sonia Jalaly's retelling of Jack and the Beanstalk has dropped the classic tale into a school in Hammersmith, where it takes on a decidedly modern tone. The story now revolves around Fleshcreep, a meat-loving monster who runs the institution with an iron fist, seeking to wipe children's minds clean of their imagination.
Director Nicholai La Barrie leans into the festive atmosphere, injecting the production with an infectious sparkle that permeates every aspect of the show. Fairy Godfather, played by Jade Hackett, is a standout in this production, bringing a commanding presence and warmth to her character. She effortlessly weaves together wizardry and wisdom, conjuring up a sense of wonder that is impossible to resist.
The fairy tale's familiar beats are tweaked to accommodate a more contemporary narrative, eschewing overt politics for lighthearted charm. While some may find this shift in tone jarring at times, the show remains engaging, thanks largely to Hackett's exceptional performance.
La Barrie's reliance on cheer and sparkle is admirable, as evident in Kayla Lomas-Kirton's choreography, which sends the stage into a dizzying disco ball frenzy. Joey James' portrayal of Jack is endearingly nervous, often hiding behind a sock puppet that struggles to make an impact. However, Sienna Widd's sassy Jill proves a more compelling foil to Fleshcreep's menace.
Partridge brings depth to his villainous role as Sam Harrison's dame, imbuing the character with sinister undertones. Even the audience can't help but be won over by her malevolence, rendering this a thoroughly entertaining pantomime experience.
Director Nicholai La Barrie leans into the festive atmosphere, injecting the production with an infectious sparkle that permeates every aspect of the show. Fairy Godfather, played by Jade Hackett, is a standout in this production, bringing a commanding presence and warmth to her character. She effortlessly weaves together wizardry and wisdom, conjuring up a sense of wonder that is impossible to resist.
The fairy tale's familiar beats are tweaked to accommodate a more contemporary narrative, eschewing overt politics for lighthearted charm. While some may find this shift in tone jarring at times, the show remains engaging, thanks largely to Hackett's exceptional performance.
La Barrie's reliance on cheer and sparkle is admirable, as evident in Kayla Lomas-Kirton's choreography, which sends the stage into a dizzying disco ball frenzy. Joey James' portrayal of Jack is endearingly nervous, often hiding behind a sock puppet that struggles to make an impact. However, Sienna Widd's sassy Jill proves a more compelling foil to Fleshcreep's menace.
Partridge brings depth to his villainous role as Sam Harrison's dame, imbuing the character with sinister undertones. Even the audience can't help but be won over by her malevolence, rendering this a thoroughly entertaining pantomime experience.