Kid Rock's attempt to challenge Bad Bunny for Super Bowl LX halftime show supremacy is a laughable display of desperation and ignorance.
The decision to pair Kid Rock with the likes of Lee Brantley Gilbert and Gabby Barrett, former Michigan man and country musicians respectively, is an exercise in attempting to distract from the fact that Bad Bunny is one of the biggest acts in the world right now. With over 2025's most-streamed artist on Spotify under his belt, and making history at this year's Grammy Awards by winning the first-ever Spanish-language album of the year, Bad Bunny has cemented his status as a global superstar.
In contrast, Kid Rock, notorious for his questionable lyrics and behavior, is hardly a role model worth emulating. His 2001 track "Cool Daddy Cool," which contains lyrics about raping girls, only serves to highlight his lack of seriousness when it comes to promoting a message that resonates with the youth.
Moreover, the fact that Kid Rock's most famous song features nonsensical lyrics like "Bawitdaba, da-bang, da-bang" raises questions about the very notion of what constitutes 'American music.' Is this really the kind of entertainment we want to promote at a major event like the Super Bowl?
But perhaps the greatest gaffe is Kid Rock's misplaced attempt to claim that he is an "All-American" artist. The U.S. is, after all, the second-largest Spanish-speaking country in the world, and people like Bad Bunny are integral parts of American culture.
The people organizing Kid Rock's 'shadow halftime show' are the ones who are being divisive and un-American. They're rejecting an artist because he is from a different culture, and instead trying to project their own narrow-minded views onto the platform. It's time for America to come together and celebrate its diversity, not tear it apart with narrow nationalism.
Ultimately, this whole debacle serves as a reminder that sometimes it takes someone like Bad Bunny, who has transcended cultural boundaries and resonated with audiences worldwide, to show us what real entertainment looks like at the highest level.
The decision to pair Kid Rock with the likes of Lee Brantley Gilbert and Gabby Barrett, former Michigan man and country musicians respectively, is an exercise in attempting to distract from the fact that Bad Bunny is one of the biggest acts in the world right now. With over 2025's most-streamed artist on Spotify under his belt, and making history at this year's Grammy Awards by winning the first-ever Spanish-language album of the year, Bad Bunny has cemented his status as a global superstar.
In contrast, Kid Rock, notorious for his questionable lyrics and behavior, is hardly a role model worth emulating. His 2001 track "Cool Daddy Cool," which contains lyrics about raping girls, only serves to highlight his lack of seriousness when it comes to promoting a message that resonates with the youth.
Moreover, the fact that Kid Rock's most famous song features nonsensical lyrics like "Bawitdaba, da-bang, da-bang" raises questions about the very notion of what constitutes 'American music.' Is this really the kind of entertainment we want to promote at a major event like the Super Bowl?
But perhaps the greatest gaffe is Kid Rock's misplaced attempt to claim that he is an "All-American" artist. The U.S. is, after all, the second-largest Spanish-speaking country in the world, and people like Bad Bunny are integral parts of American culture.
The people organizing Kid Rock's 'shadow halftime show' are the ones who are being divisive and un-American. They're rejecting an artist because he is from a different culture, and instead trying to project their own narrow-minded views onto the platform. It's time for America to come together and celebrate its diversity, not tear it apart with narrow nationalism.
Ultimately, this whole debacle serves as a reminder that sometimes it takes someone like Bad Bunny, who has transcended cultural boundaries and resonated with audiences worldwide, to show us what real entertainment looks like at the highest level.