A Tornado of Gossip and Pretence: Teens' First Night Out Ends in Pain
In Miriam Battye's harrowing play, The Virgins, a group of teenager friends, all virgins, embark on their highly anticipated first night out. What ensues is a toxic cocktail of gossip, pretence, and pain, as they try to navigate the complex world of relationships and sex.
The evening begins with Chloe (Anushka Chakravarti) and Jess (Ella Bruccoleri), two best friends who have decided it's time to "go out out" – a euphemism for their first night of partying. Joined by Phoebe, a friend prone to panic at the mere mention of men, they prepare to meet Anya (Zoë Armer), a girl from the year above who promises to teach them the ways of love and sex.
As the night wears on, the group's dynamic becomes increasingly tense, with Chloe trying to impress Anya by fabricating stories about her relationships. Meanwhile, Phoebe's anxiety reaches boiling point as she tries to avoid any unwanted attention from the boys next door, who are engrossed in video games.
Battye's script is a masterclass in capturing the awkwardness and uncertainty of adolescence. The girls' conversations are stilted and guarded, like they're discussing wild animals – a metaphor that rings all too true. As Anya hands out advice, it becomes clear that sexual experience is currency in this world, with Chloe desperate to assert her power and independence.
The play's use of dramatic orchestral music creates a sense of unease, mirroring the characters' discomfort as they navigate their relationships. The stage drops into darkness between scenes, leaving the audience gasping for breath as the lights return, poised on the edge of a cliff.
Despite some plot threads left unexplained, Battye's strength lies in writing scenes that feel authentically raw and honest. If you've lived through nights like these, The Virgins will land uncomfortably close to home – a reminder that adolescence can be a painful and formative experience.
In Miriam Battye's harrowing play, The Virgins, a group of teenager friends, all virgins, embark on their highly anticipated first night out. What ensues is a toxic cocktail of gossip, pretence, and pain, as they try to navigate the complex world of relationships and sex.
The evening begins with Chloe (Anushka Chakravarti) and Jess (Ella Bruccoleri), two best friends who have decided it's time to "go out out" – a euphemism for their first night of partying. Joined by Phoebe, a friend prone to panic at the mere mention of men, they prepare to meet Anya (Zoë Armer), a girl from the year above who promises to teach them the ways of love and sex.
As the night wears on, the group's dynamic becomes increasingly tense, with Chloe trying to impress Anya by fabricating stories about her relationships. Meanwhile, Phoebe's anxiety reaches boiling point as she tries to avoid any unwanted attention from the boys next door, who are engrossed in video games.
Battye's script is a masterclass in capturing the awkwardness and uncertainty of adolescence. The girls' conversations are stilted and guarded, like they're discussing wild animals – a metaphor that rings all too true. As Anya hands out advice, it becomes clear that sexual experience is currency in this world, with Chloe desperate to assert her power and independence.
The play's use of dramatic orchestral music creates a sense of unease, mirroring the characters' discomfort as they navigate their relationships. The stage drops into darkness between scenes, leaving the audience gasping for breath as the lights return, poised on the edge of a cliff.
Despite some plot threads left unexplained, Battye's strength lies in writing scenes that feel authentically raw and honest. If you've lived through nights like these, The Virgins will land uncomfortably close to home – a reminder that adolescence can be a painful and formative experience.